A Veiled Chick’s Outbursts comprise short and long articles, poetry and artwork, of a more personal nature about my experiences or issues that exasperate me be it something I heard, read, watched, witnessed or observed. It’s my way of letting off some steam, my incensed breathings (*^_^*).
A FEW STEPS TOO FAR
IN ARTISTIC EXPRESSION
The former British diplomat, the late Hasan le Gai Eaton رحمه الله said,
. . . that while Muslims will sagely nod in agreement when you state that ignorance, hypocrisy and fanaticism do exist in the Muslim world, they usually assume that they themselves are not guilty.
A music video is a visual artistic rendition of an artist’s words.
Yet, the following three videos by Muslim singers/rappers depict covered (I use the term loosely) Muslim women by revealing a deeply misconstrued image in terms of dress code and demeanour, under the fallacy of artistic expression.
I won’t be sharing the artists’ names and song titles because they’re not germane to the theme. The focus isn’t on the songs or personalities. It’s their mutual misconception about the hijâb.
#1: A PROVOCATIVE STANCE
I had the displeasure of watching a video by an Arab singer showing women fully attired in white with their eyes exposed dancing somewhat provocatively.
For Muslim viewers, you’d think the spectacle would anger many.
There wasn’t a peep from Muslims, a blatant case of double standards, now a norm. If a non-Muslim produced such a video, add to it, a “Westerner”, a riot might’ve ensued.
Ponder that for a moment.
#2: SENSUALISING MODESTY
In 2012, I came across a programme on Aljazeera English interviewing an activist and rapper on social injustices.
Although most of what he said was relevant, it struck me as odd how he described fully covered women who appear in his music video dancing,
. . . make the statement that women in this situation are extremely powerful, extremely grateful, extremely beautiful, extremely sensual . . .
A rather peculiar word to describe fully covered Muslim women.
Is this the way Muslim women can appear powerful, grateful and beautiful?
#3: SIMPLY COOL
The hip image of Muslim women seems to be the craze as seen in a music video where three young women in headscarves were grooving to the beat.
This is coming from a European group renowned for its unique and eclectic imprint in the music industry, whose 2005 album highlighted numerous crucial issues, one being the Muslim identity.
For the sake of clarity. a headscarf is a piece of cloth covering the head that may or may not include the hair (fully), neck and/or chest region and worn for fashionable, cultural, traditional or religious purposes. The young women in the video were donning headscarves, which isn’t to be mistaken for the hijâb as they weren’t practising it.
JUXTAPOSING VIDEOS AND PRACTISES
A paradox at best: a Muslim woman can’t reveal her body but drawing attention to it by dressing inappropriately and dancing is acceptable.
Her hair’s covered, what’s the harm?
Hijâb has been disrespectfully and arrogantly reduced to hair covering – and with some, not even fully.
In one hand, we defend what the hijâb signifies, and in the other, don’t practise it; and we can’t, when majority of us don’t even know what it means and what it entails or even care enough to find out.
Inadvertently, or not, these videos distort the image of fully covered Muslim women.
And sadly, it’s only going to get (disgracefully) worse as time ticks on – not just with music videos.
These artists – and those similar – are in the public eye and, to some, are role models and representatives of the message they portray.
Do we expect non-Muslims to respect the hijâb when we Muslims don’t? What do the many already ignorant about it, not counting numerous Muslims, draw from such videos?
Videos of this nature are just as much to blame in warping the veiled woman’s image.
As a side note, it’ll be interesting to know if any of the Muslim musicians and the likes prayed Istikhâra Prayer before even deciding to become musicians, sharing lyrics and albums, or making music videos – especially those who claim they’re spreading Islâm via songs.
DILEMMA IN IDENTITY
The first music video is by a Muslim from the Arab Peninsula whose country claims to uphold “Islamic” ways; the second, two out of the three members are “Western” Muslims whose ethnicities are from Muslim-populated countries; and the third, an American who embraced Islâm. Although the artists’ backgrounds are different, their concept of the hijâb isn’t.
It appears for Muslims to express themselves artistically, and to fit in by swaying to the standards others dictate, relinquishing certain practises is necessary, thus shedding the Muslim identity, supposedly to adjust with the “new” times.
As a Muslim woman practising hijâb, these videos are insulting on two levels: to be depicted as sensual and – it inflames every fibre of my being – to see how far we’ve deviated and twisted the meaning of hijâb to correspond with our lifestyles.
I loathe how we Muslims are selectively choosing how to interpret the hijâb, just so we justify our deeds.
What we’re doing instead is embarrassingly disclosing our ignorance and disrespect of the Arabic language, The Holy Qur’ân and Aĥadeeth, with our actions – and lack of.
There’s a fundamental – and gross – misunderstanding concerning the hijâb.
Silence here makes us connivers.
We Muslims seem complacent with the mistreatment of the hijâb and condone it because we’re the ones responsible for it.
Wrong deeds by Muslims should ire us before those of non-Muslims; otherwise, we’re purely hypocrites dissembling as Muslims.
I’m a British and “Western” Muslim. I was born and bred in the UK, so I know the never-ending struggles “Western” Muslims face, be they personal or social. I was in London when the 7/7 bombing occurred, and I know first-hand what it’s like to be mistreated physically and verbally, and to be refused service(s).
It’s part of our test.
I also know though how much our upbringing, surroundings and experiences shape our identities, clarify our resilience and define our character.
However we decide to express ourselves, it’s not to be at the detriment of our beliefs as Muslims.
The choice is ours to make.
If one part of our identity we’re to uphold with utmost sacredness, it’s meant to be as a Muslim. Doing so will solidify who we are, and we’ll be walking examples rather than “talking ones”.
Let our artistic expressions be what’ll please Allâh سُبْحانَهُ وَتَعالَى and be our means of reward until our last breath and after we return to Him سُبْحانَهُ وَتَعالَى.
Let it be one mean of waqf: a mindful and beneficial charitable deed and knowledge, with defined intention, solely for Allâh سُبْحانَهُ وَتَعالَى.
Abu Sa’eed Al-Khudri رضي الله عنه narrated The Prophet ﷺ said,
‘You will certainly follow the ways of those who came before you hand span by hand span, cubit by cubit, to the extent that if they entered the hole of a uromastyx [spiny-tailed lizard], you will enter it too.’ We said, ‘O Messenger of Allâh, do you mean the Jews and Christians?’ He said, ‘Who else?’